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Permanent Collection and Temporary Projects

Laguna Gloria

Ryan Gander

Laguna Gloria Master Plan

Groundbreaking Celebration: Phase I

Courtesy Reed Hilderbrand and Trahan Architects

NEWS

Announcing Groundbreaking for Phase I of the Laguna Gloria Master Plan

We are delighted to announce that we have completed fundraising for Phase I of the Master Plan for Laguna Gloria! Featuring a range of new visitor amenities and a welcoming new entrance, Phase I of this multi-year project will transform the visitor experience at the museum’s beloved art-in-nature site on the shores of Lake Austin. The project will break ground this spring, thanks to a $3 million grant from The Moody Foundation, with additional grants from the Still Water Foundation, Edward and Betty Marcus Foundation, The Meadows Foundation, Austin Community Foundation, and The O’Shaughnessy-Rivers Family Fund, along with gifts from board Trustees Jeanne and Mickey Klein, Kathleen Irvin Loughlin and Chris Loughlin, and Jannette and Pat Keating. Please join us for the Groundbreaking Celebration for Phase I on Wednesday, March 21.

L.A. Artist Rodney McMillian Peels Back the Facade

Los Angeles Times reporter Carolina A. Miranda previews the work and ideas behind our inaugural Suzanne Deal Booth Art Prize Exhibition, Rodney McMillian: Against a Civic Death, opening at the Jones Center on Congress Avenue on February 1, 2018.

Jones Center Awarded 2017 Best of Design Awards for Adaptive Reuse

Congratulations to LTL Architects, who received The Architect’s Newspaper’s 2017 Best of Design Award for Adaptive Reuse for the stunning renovation of the Jones Center on Congress Avenue! According to award juror Eric Bunge, Principal of nARCHITECTS, “Simultaneously serious and whimsical, the project is a beacon not only for Austin, but for adaptive reuse in general—inspiring for its inventiveness.”

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Rodney McMillian, Untitled (still), 2017. Single-channel video, color, sound. Commissioned by The Contemporary Austin with funds provided by the Suzanne Deal Booth Art Prize. Artwork © Rodney McMillian. Image courtesy the artist; Susanne Vielmetter Los Angeles Projects; and Maccarone, Los Angeles/New York. Installation view, Carol Bove, The Contemporary Austin – Laguna Gloria, Austin, Texas, 2017. Artwork © Carol Bove. Courtesy the artist; Maccarone, New York/Los Angeles; and David Zwirner, New York/London/Hong Kong. Image courtesy The Contemporary Austin. Photograph by Brian Fitzsimmons. Ai Weiwei, Forever Bicycles, 2014. 1,254 bicycles. Dimensions variable. Installation view, Waller Creek Delta, The Contemporary Austin – Museum Without Walls Program, Austin, Texas, 2017. Artwork © Ai Weiwei Studio. Courtesy Ai Weiwei Studio and Lisson Gallery. Image courtesy The Contemporary Austin / Waller Creek Conservancy. Photograph by Brian Fitzsimmons. Ryan Gander, The day to day accumulation of hope, failure and ecstasy — The zenith of your career (The Last Degas), 2017. Bronze and stainless steel. 67 x 41 x 24 inches. Commissioned by The Contemporary Austin with funds provided by the Edward and Betty Marcus Foundation. Installation view, The Contemporary Austin – Laguna Gloria, Austin, Texas, 2017. Artwork © Ryan Gander. Courtesy the artist and Lisson Gallery, London / New York. Image courtesy The Contemporary Austin. Photograph by Brian Fitzsimmons. Rendering of Laguna Gloria Master Plan Phase I, Visitor Pavilions, 2017. Courtesy Reed Hilderbrand and Trahan Architects.

About

Learn more about exciting developments at The Contemporary Austin, including the Laguna Gloria Master Plan and the Jones Center Renovation, here.

Congratulations to artist Rodney McMillian, winner of the inaugural 2016 Suzanne Deal Booth Art Prize! McMillian’s exhibition will open at The Contemporary Austin on February 3, 2018.

The Suzanne Deal Booth Art Prize at The Contemporary Austin is a biennial, unrestricted international art award of $100,000 to be given to an artist selected every two years, which also includes a solo exhibition, a scholarly publication, and related public programming. An independent advisory committee comprising renowned curators and art historians will select the recipient. The Suzanne Deal Booth Art Prize is funded by a generous gift to the museum by arts professional and museum trustee Suzanne Deal Booth and administered by The Contemporary Austin. Learn more here.

The Contemporary Art Museum for Austin

Mission: The Contemporary Austin reflects the spectrum of contemporary art through exhibitions, commissions, education, and the collection.

Vision: The Contemporary Austin aspires to be the contemporary art museum for Austin and an essential part of city life. Through its unique combination of urban and outdoor sites, The Contemporary will embody an eclectic and collaborative spirit.

Museum Without Walls
A Discussion with Louis Grachos

Learn how we are inspiring our home city and get to know our executive director, Louis Grachos, in the video above! Special thanks to Sanders\Wingo.

Louis Grachos Biography

Louis Grachos was appointed in 2013 as the Ernest and Sarah Butler Executive Director and CEO of The Contemporary Austin, which operates two distinct sites—the Jones Center on Congress Avenue, a kunsthalle-like space in the downtown core, and Laguna Gloria, a historic site in residential Austin. Prior to his appointment, Grachos served as Director of SITE Santa Fe in Santa Fe, New Mexico, from 1996 to 2003 and Executive Director of the Albright-Knox Art Gallery in Buffalo, New York from 2003 to 2012.

In 2013, Grachos led a successful rebranding of the recently merged institutions—the Austin Museum of Art (AMoA) and Arthouse—as The Contemporary Austin, encapsulating the museum’s mission of reflecting the spectrum of contemporary art through exhibitions, commissions, education, and the collection. Grachos led a successful campaign to secure a $9 million grant from the Edward and Betty Marcus Foundation, which helped to develop an art program at Laguna Gloria as The Betty and Edward Marcus Sculpture Park, and launch a landscape master plan to restore its historic grounds.

As executive director and CEO, Grachos has brought ambitious exhibitions of new work and site-specific commissions at both of The Contemporary’s sites by leading contemporary artists such as Garth Weiser, Ryan Gander, Anya Gallaccio, Monika Sosnowska, Tom Sachs, Paul McCarthy, Janine Antoni, Tom Friedman, Liam Gillick, Marianne Vitale, Charles Long, and Do Ho Suh. He recently organized the long-term loan and installation of Jim Hodges’s seminal sculpture, With Liberty and Justice for All (A Work in Progress) in tandem with the renovation of The Contemporary’s downtown location, the Jones Center on Congress Avenue, located a few blocks from the State Capitol building. In 2017, in addition to organizing and installing exhibitions by Wangechi Mutu, John Bock, and Carol Bove, Grachos served as guest curator of the Keshet Award organized by the Herzliya Museum of Contemporary Art in Herzliya, Israel. He has also been committed to bringing diverse and engaging educational and public programming offerings to the city, working in a collaborative spirit with Austin’s cultural community. Through The Contemporary’s Museum Without Walls program, Grachos has arranged the long-term loan of outdoor sculpture from the museum’s existing collection for display at various parks throughout Austin, including the monumental installation of Ai Weiwei’s Forever Bicycles at Waller Creek.

Grachos earned a Bachelor of Arts in Art History from the University of Toronto and a Certificate for Museum Studies from the Museum Studies Graduate Program, John F. Kennedy University, San Francisco. He began his museum career with curatorial internships at the San Francisco Museum of Modern Art and the Whitney Museum of American Art, New York. He held curatorial and administrative positions at the Americas Society Visual Arts Program, New York; the Queens Museum of Art; the Center for the Fine Arts, Miami; the Museum of Contemporary Art San Diego; and SITE Santa Fe.

A passionate advocate for the arts, Grachos has more than 30 years of experience in the museum field supporting advanced contemporary art. He is committed to community collaborations, with a focus on arts education and outreach programming, and consistently strives to create an institutional culture he describes as “artist-centric.”

The Contemporary Austin comprises two locations: the historic Jones Center in downtown Austin, and Laguna Gloria, a unique, fourteen-acre art-in-nature site that includes the landmark Driscoll Villa, the Betty and Edward Marcus Sculpture Park, the Gatehouse Gallery, and the Art School at Laguna Gloria.

Jones Center on Congress Avenue

1851
The first three-story brick building in Austin is constructed on the corner of 7th Street and Congress Avenue.

1877
Tobin’s Drug Store opens at 700 Congress Avenue.

1911
Texas Fine Arts Association (TFAA) is formed.

1926
700 Congress Avenue becomes the Queen Theater, featuring a balcony and proscenium stage.

1956
Lerner Shops moves into 700 Congress and renovates by adding storefront windows, a second floor, and a new front elevation on Congress, including an awning over the sidewalk.

1995
Texas Fine Arts Association purchases the vacant building at 700 Congress and renovates the first floor.

1998
TFAA / The Jones Center for Contemporary Art opens to the public.

2002
TFAA changes its name to Arthouse at the Jones Center.

2008
Arthouse unveils the renovation and expansion plans for the Jones Center, designed by Lewis.Tsurumaki.Lewis Architects.

2010
Arthouse at the Jones Center reopens.

2011
Arthouse at the Jones Center and the Austin Museum of Art (AMOA) celebrate 100 and 50 years, respectively. At the same time, the two institutions formalize a merger under the temporary name AMOA-Arthouse, rejoining the two primary organizations that constituted the Texas Fine Arts Association.

2013
AMOA-Arthouse debuts its new name and brand: The Contemporary Austin.

2015
The Contemporary Austin was awarded a $1.3 million grant from The Moody Foundation, making possible a major renovation of its downtown location.

2016
In December 2016, The Contemporary Austin celebrated the Grand Reopening of the renovated Jones Center and the debut of The Moody Rooftop. The project was led by LTL Architects (later awarded the 2017 Best of Design Awards for Adaptive Reuse by The Architect’s Newspaper).

Laguna Gloria

1911
Texas Fine Arts Association (TFAA) is formed.

1943
Texas legend Clara Driscoll donates her lakeside, 1916 estate in west Austin to be used “as a Museum to bring pleasure in the appreciation of art to the people of Texas.”

1961
TFAA splits into two separate entities. Laguna Gloria Art Museum is created with the purpose of owning and operating the museum and grounds, and presenting exhibitions and educational programs in the Driscoll Villa.

1983
The Art School’s 4,100-square foot facility is constructed on the grounds of Laguna Gloria.

1996
Laguna Gloria Art Museum changes its name to Austin Museum of Art (AMOA) and moves its primary exhibition space to 823 Congress Avenue.

2003
The Driscoll Villa and gardens and key features of The Art School complex are refurbished and restored through a successful $3.6 million Laguna Gloria Renewal Project.

2008
The historic Gatehouse is restored and the Art School studios expanded by 2,500-square feet of new ceramics and painting space.

2011
Arthouse at the Jones Center and the Austin Museum of Art (AMOA) celebrate 100 and 50 years, respectively. At the same time, the two institutions formalize a merger under the temporary name AMOA-Arthouse, rejoining the two primary organizations that constituted the Texas Fine Arts Association.

2013
AMOA-Arthouse debuts its new name and brand: The Contemporary Austin.

The Edward and Betty Marcus Foundation awards The Contemporary Austin a $9 million grant to support the creation of the Betty and Edward Marcus Sculpture Park at Laguna Gloria.

2014 – Present
The landscape architecture firm Reed Hilderbrand is engaged in a Master Plan that will transform Laguna Gloria into an exceptional space for the public to experience art in a vibrant natural setting.

In 2017, The Contemporary Austin embarks on Phase I of the Master Plan, including Invasive Species Removal and Heritage Tree Preservation at Laguna Gloria. Learn more here.

Reed Hilderbrand is recognized with the 2017 Excellence Award in Analysis and Planning from the Boston Society of Landscape Architects for its ongoing work at the Betty and Edward Marcus Sculpture Park at Laguna Gloria.

Read more about the history of Laguna Gloria in "Glorious Renewal," published in the Austin Chronicle, March 25, 2015.

Board of Trustees

Jeanne Klein, Co-Chairperson
Richard Marcus, Co-Chairperson
Kathleen Irvin Loughlin, President
James Dyess, Treasurer
Milam Newby, Secretary

Wilson Allen
Valerie Armstrong
Elizabeth Baskin
Suzanne Deal Booth
Mike Chesser
Joe Cole
Kim Dowling
Deborah Dupré
Hank Feir
Eric Foultz
Kristin Gish
Deborah Green
Mark Hanna
Karen Hawkins
Eric Herschmann
Teresa Hubbard
Lorena Junco
Jannette Keating
Mickey Klein
Chris Mattsson
Kelley Cooper McClure
Larry McGuire
Will Meredith
Fredericka Middleton
Don Mullins
Brad Nelsen
Elysia Ragusa
Shalini Ramanathan
Lora Reynolds
Jane Schweppe
Elizabeth Stanley
Rodney Susholtz
Jill Turner
Melba Whatley
Teresa Windham

LAGUNA GLORIA
3809 West 35th Street
Austin, Texas 78703
512 458 8191
Art School: 512 323 6380

JONES CENTER ON CONGRESS AVENUE
700 Congress Avenue
Austin, Texas 78701
512 453 5312

The Contemporary Austin does not accept unsolicited submissions of art.

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